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These ‘wordscapes’ define the shapes and forms of the body as well as fleeting moments such as the tension in a second of shared eye contact, or a nervous finger tapping.Her work explores how experiences are translated into language and the ways in which actual or imagined events are fictionalised and mythologised. Written in the 1890s, The Violet Flame, The Incubated Girl and To Venus in Five Seconds have been out of print for nearly a century. These personal transcriptions explore the ways in which actual or imagined events are fictionalised and mythologised.

Her early work took the form of 'wordscapes' or 'still films' - blow-by-blow accounts written in her own words of feature films, (whose subjects range from war to porn) or sequences of events. The contributing artists were Fiona Banner, Michael Craig-Martin, Martin Creed, Tracey Emin, Anthea Hamilton, Howard Hodgkin, Gary Hume, Sarah Morris, Chris Ofili, Bridget Riley, Bob and Roberta Smith and Rachel Whiteread. AZNude has a global mission to organize celebrity nudity from television and make it universally free, accessible, and usable. The Vanity Press has also reissued three largely forgotten science fiction novels written by the founder of Jane’s All the World’s Aircraft, Fred T. For the past few years Banner has been producing one-off publications as part of a series about the way ideas are represented and circulated.From her ‘wordscapes’ to her use of found and transformed military aircraft, Banner juxtaposes the brutal and the sensual, performing a complete cycle of intimacy, attraction and alienation. The tapestry was a propaganda triumph, which influences the way history depicts the invasion to this day. Quoted in ‘Art Stripped Bare – Fiona Banner on the Nude’, The Guardian Online, Wednesday 8 April 2009, accessed 27 May 2012. Acknowledging the absence of a major movie depicting the battle, Banner draws out the brutality in a language learnt from the visceral manipulations of a contemporary war film.