Italian Renaissance Courts: Art, Pleasure and Power (Renaissance Art)

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Italian Renaissance Courts: Art, Pleasure and Power (Renaissance Art)

Italian Renaissance Courts: Art, Pleasure and Power (Renaissance Art)

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The Medici became the town's leading family, a position they would hold for the next three centuries. In addition to studying classical Latin and Greek, Renaissance authors also began increasingly to use vernacular languages; combined with the introduction of the printing press, this allowed many more people access to books, especially the Bible. Machiavelli is the only political thinker whose name has come into common use for designating a kind of politics, which exists and will continue to exist independently of his influence, a politics guided exclusively by considerations of expediency, which uses all means, fair or foul, iron or poison, for achieving its ends – its end being the aggrandizement of one's country or fatherland – but also using the fatherland in the service of the self-aggrandizement of the politician or statesman or one's party. The trade routes of the Italian states linked with those of established Mediterranean ports and eventually the Hanseatic League of the Baltic and northern regions of Europe to create a network economy in Europe for the first time since the 4th century. the Roman School and later the Venetian School, and the birth of opera through figures like Claudio Monteverdi (1567–1643) in Florence.

The rediscovery of Vitruvius meant that the architectural principles of Antiquity could be observed once more, and Renaissance artists were encouraged, in the atmosphere of humanist optimism, to excel in the achievements of the Ancients, like Apelles, of whom they read. Various theories have been proposed to account for its origins and characteristics, focusing on a variety of factors, including Florence's social and civic peculiarities at the time: its political structure, the patronage of its dominant family, the Medici, [10] and the migration of Greek scholars and their texts to Italy following the fall of Constantinople to the Ottoman Turks. The horrors of the Black Death and the seeming inability of the Church to provide relief would contribute to a decline of church influence. This analysis argues that, whereas the great European states (France and Spain) were absolute monarchies, and others were under direct Church control, the independent city-republics of Italy took over the principles of capitalism invented on monastic estates and set off a vast unprecedented Commercial Revolution that preceded and financed the Renaissance.In the revival of neoplatonism, Renaissance humanists did not reject Christianity; on the contrary, many of the Renaissance's greatest works were devoted to it, and the Church patronized many works of Renaissance art. Those that grew extremely wealthy in a feudal state ran the constant risk of running afoul of the monarchy and having their lands confiscated, as famously occurred to Jacques Cœur in France. The most famous among them include Christopher Columbus (who sailed for Spain), Giovanni da Verrazzano (for France), Amerigo Vespucci (for Portugal), and John Cabot (for England). Petrarch encouraged the study of the Latin classics and carried his copy of Homer about, at a loss to find someone to teach him to read Greek.

Likewise, the position of Italian cities such as Venice as great trading centres made them intellectual crossroads. The Renaissance was not a period of great social or economic change, only of cultural and ideological development.In philosophy, thinkers such as Galileo, Machiavelli, Giordano Bruno (1548–1600) and Pico della Mirandola (1463–1494) emphasized naturalism and humanism, thus rejecting dogma and scholasticism. However, it is essential to understand history as continuous and constantly building off of the past. In Baldassare Rasinus's panegyric for Francesco Sforza, Rasinus considered that beautiful people usually have virtue.



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